The Rolls-Royce purred to a stop under the portico of the Alston Hampton estate. The mansion was ablaze with light, the warm glow spilling out across the manicured lawns and illuminating the valets in their crisp uniforms. The sound of a string quartet drifted through the open front doors.
Curtis stepped out of the car first, not bothering to look back. He buttoned his suit jacket and immediately greeted a silver-haired man approaching the steps, his face breaking into that practiced, charming smile.
Diana sat in the backseat for a moment, gathering her strength. The drive had been a blur of pain and nausea. She took a shallow breath and slid across the leather seat, stepping out onto the cobblestone driveway.
The moment her heels hit the ground, her legs gave out. The weakness in her muscles, the loss of blood, the sheer exhaustion-it all collided at once. Her knees buckled, and she pitched forward toward the cold stone steps.
She threw her hands out, catching herself on the rough edge of the step. The impact jarred her wrists, but she managed to stop her face from hitting the stone. She stayed there for a second, on her hands and knees, gasping for air, the hem of her crimson dress pooling around her.
The head butler, Pemberton, stood at the top of the steps. He looked down at her, his face impassive, but Diana caught the slight curl of his lip. It was a look of pure contempt. He made no move to assist her.
Diana gritted her teeth and used the ornate iron railing beside the steps to haul herself up. Her arms trembled violently with the effort, and black spots danced in her vision, but she forced herself to stand. She smoothed down her dress, her hands shaking, and walked up the rest of the steps on her own.
Inside the grand ballroom, the air was thick with the scent of expensive cigars and Chanel No. 5. Curtis was already deep in conversation with a group of men near the bar, a crystal tumbler in his hand. He didn't even glance her way.
Diana found a quiet corner near a marble pillar. She pressed her shoulder against the cool stone, letting it support some of her weight. She kept her head down, trying to make herself as small as possible. If she was invisible, maybe the night would pass without incident.
But the Alston women had a radar for weakness.
"Well, well. Look who finally decided to grace us with her presence."
Diana closed her eyes for a brief second before opening them. Henrietta Alston, Curtis's mother, stood before her. Henrietta was wearing a severe purple gown that matched her icy demeanor, a champagne flute held elegantly in her hand. Right behind her, smirking, was Tatum, Curtis's younger sister.
"I'm surprised you could tear yourself away from whatever soap opera you've been watching in that penthouse," Henrietta said, her voice just loud enough to carry to the nearby guests. A few women paused their conversations, eager for the show.
Tatum leaned in, a fake look of concern on her face. "Don't be too hard on her, Mother. Diana is just feeling a little under the weather. She needs her rest."
Diana gripped her evening bag so tightly her knuckles turned white. "Henrietta. Tatum."
Henrietta took a delicate sip of her champagne. "Don't 'Henrietta' me. I don't claim a woman who can't even keep her husband interested, let alone understand basic social obligations. You look like a ghost, Diana. It's embarrassing."
A few titters of laughter rippled through the nearby group.
Tatum pulled her phone from her clutch, her eyes lighting up with malice. "Oh, speaking of interesting, did you see Carla's new piece? It just sold at Sotheby's for a record price. She's a true visionary." She tilted the screen so Diana had to look. Carla's face filled the frame, her soft brown eyes looking earnest and artistic.
Henrietta smiled, a genuine expression that she never offered her daughter-in-law. "Of course she is. Carla comes from old money and real talent. She has grace. Unlike some people who had to use a dying company as a dowry to trap a husband."
Every word was a hammer blow to Diana's fragile composure. She knew they wanted a reaction. They wanted her to cry, to scream, to make a scene so they could confirm she was the trash they believed her to be.
But the cramping in her belly was starting again, a dull, persistent throb that was climbing to a sharp peak. A sheen of cold sweat broke out on her forehead. She shifted her weight, leaning more heavily against the pillar.
Tatum noticed her grimace and rolled her eyes. "Oh, please. You're acting like you're dying. You look like you're about to throw up. What's the matter, Diana? Did the caviar not agree with you?"
"I'm fine," Diana managed, her voice barely a whisper.
Tatum stepped closer, her eyes narrowing. "You know, the way you're clutching your stomach and sweating... if I didn't know better, I'd think you were pregnant."
The word hung in the air like a gunshot.
Pregnant.
The irony was so brutal, so cruel, that Diana felt the floor tilt beneath her. She had been pregnant. She had been carrying a life. And now she was standing here, bleeding out that life, being mocked by these vicious women.
The color drained entirely from Diana's face. Her body began to shake, a fine tremor that started in her hands and spread to her shoulders. She couldn't breathe. The walls of the ballroom seemed to be closing in on her.
Henrietta looked her up and down, her lip curling in disgust. "Pathetic. Absolutely pathetic. You can't even stand up straight at a family event. You're a disgrace to the Alston name."
Diana bit her lower lip so hard she tasted blood. She wanted to scream the truth at them. She wanted to tell them about the blood, the baby, the absolute hell her life was. But she knew it wouldn't matter. To them, her pain was just a performance.
Her vision blurred, the chandeliers above her smearing into streaks of gold. She felt her knees start to give way again. She was going to collapse, right here, in front of everyone.
She looked across the room, a desperate, instinctive search for her husband. She found Curtis. He was watching her.
Their eyes met over the sea of guests. But there was no concern in his gaze. There was only a cold, hard warning. His jaw was clenched, and his eyes narrowed slightly, a clear command: Stand up. Stop making a scene. Do not embarrass me.
He looked away, turning back to his conversation.
The finality of that look shattered something inside her. He didn't care if she lived or died. He only cared about the show.
Diana's eyes rolled back, and the ballroom tilted violently. She started to slide down the pillar, her clutch bag hitting the floor with a soft thud.
"Henrietta! Tatum!"
The booming voice cut through the music and the chatter like a knife. The room went instantly quiet.
Henrietta and Tatum froze, their smug expressions vanishing, replaced by sudden fear. They slowly turned toward the source of the voice.
Diana clung to the pillar, fighting to stay conscious. She looked up and saw an older man striding toward them from the entrance to the study. He leaned heavily on a silver-tipped cane, but his posture was rigid, his presence commanding.
Montgomery Alston. The patriarch. The man who owned every soul in this room.
He stopped in front of the two women, his sharp eyes taking in Diana's slumped, shaking form. His face was like thunder.
"Is this how the women of the Alston family treat their hostess?" he roared, his voice echoing off the high ceilings. "Like stray dogs on the street?"
The silence in the ballroom was absolute. You could hear the ice clinking in the glasses across the room. Nobody dared to breathe.
Henrietta shrank back, her face flushing a mottled red. Tatum suddenly found the floor very interesting, her earlier bravado evaporating under her grandfather's furious gaze.
Montgomery Alston ignored his daughter and granddaughter. He turned his piercing blue eyes to Curtis, who was standing frozen by the bar, his drink still in his hand.
"Curtis," Montgomery barked, the single word a command that brooked no argument. "Come here."
Curtis set his glass down with a sharp clink. He walked across the room, his face a careful mask of neutrality, though Diana could see the muscle ticking in his jaw. He stopped in front of his grandfather.
"Your wife is unwell," Montgomery said, his voice low but carrying in the quiet room. "Take care of her. Now."
It wasn't a suggestion. It was an order from the man who controlled the Alston empire. Curtis couldn't refuse. Not here. Not in front of the board members and the society pages.
"Of course, Grandfather," Curtis said, his tone deferential but tight.
He walked over to Diana. He didn't ask if she was okay. He didn't offer a gentle hand. He reached out and wrapped his arm around her waist, pulling her upright. But his fingers dug into her side like iron clamps, a silent punishment for the scene she was causing.
Diana gasped at the sudden pressure on her tender abdomen, but she forced herself to stand straight.
Montgomery nodded once, a dismissal. "Good. Take her to sit down. Stay with her."
Curtis guided her away from the pillar, his grip never loosening. He led her to a velvet settee near the edge of the dance floor and practically shoved her down onto the cushion. He sat down beside her, his body rigid with suppressed fury.
To the rest of the room, they looked like a devoted husband tending to his ailing wife. But the reality was a cold war.
Curtis leaned in, his face inches from hers, a fake smile plastered on his lips for the benefit of the watchers. But his voice was a venomous hiss.
"You think you're clever, don't you?" he whispered. "Running to my grandfather. Playing the victim. You just love making me look like a fool."
Diana stared at her hands folded in her lap. They were still shaking. "I didn't... I didn't run to anyone. I was just standing there."
"Shut up," he muttered through his smile. "You manipulate everyone around you, Diana. But you forget who holds the leash. You pull a stunt like this again, and I'll make sure you regret it."
He shifted away from her, putting a solid foot of space between them on the small sofa. He crossed his legs and stared straight ahead, ignoring her completely.
The rest of the dinner was a special kind of torture. Diana sat there, a mannequin in a red dress, while Curtis chatted with the people who approached them, acting as if she didn't exist. The pain in her belly was a constant, throbbing ache, and the diamond necklace felt like it was choking her. Every time she shifted, his hand would snap out and grip her knee, a silent warning to stay still.
Finally, after an eternity, the guests began to leave. Curtis stood up immediately, not offering her a hand.
"We're leaving," he said.
The ride back to Manhattan in the back of the Bentley was suffocating. The partition was up, sealing them in the dark, leather-scented cabin. The driver, Hogan, navigated the dark roads in silence, sensing the explosive tension in the air.
Curtis didn't look at her once. He stared out the window, his fingers drumming an angry rhythm on his thigh. The silence was so heavy it pressed down on Diana's chest, making it hard to breathe.
When the car finally stopped in the underground garage of their building, Curtis was out the door before the engine died. He strode to the private elevator, Diana trailing behind him like a ghost.
The elevator doors opened into their penthouse. The moment they stepped inside the foyer, Curtis spun around.
He grabbed Diana by the shoulders and slammed her back against the wall. The impact knocked the air from her lungs, and a sharp spike of pain radiated from her lower back. She cried out, her hands flying up to grip his wrists.
"You think you can embarrass me in front of my family?" he snarled, his face inches from hers, his breath hot and smelling of whiskey. "You think you can use my grandfather against me?"
"Curtis, stop, you're hurting me," she gasped, trying to push him away. But her strength was nothing compared to his rage.
"You wanted my attention, Diana? Is that what this is?" He pressed his body against hers, pinning her to the wall. "You wanted me to look at you instead of Carla?"
"I wasn't thinking about Carla," she sobbed, tears of pain and frustration spilling over. "I just wanted to survive the night. I'm sick. I'm hurt."
"You're sick, alright," he sneered. "You're sick with jealousy. You can't stand that she's everything you're not. She's talented, she's genuine, and she doesn't have to play games to get my attention."
He released one of her shoulders and grabbed her chin, forcing her face up to his. His eyes were dark, burning with a mix of anger and something else-something cruel and possessive.
"Let me show you what you are to me," he whispered.
Before she could turn away, his mouth crashed down on hers.
It wasn't a kiss. It was an invasion. His lips were hard and punishing, his teeth scraping against hers, bruising her mouth. He forced her lips apart, taking without asking, claiming without caring. It tasted like bourbon and bitterness.
Diana struggled, pushing against his chest, turning her head to escape the assault. But he just followed, his grip on her chin tightening until she felt like her jaw would crack. She was trapped between the cold wall and his hot, angry body, completely at his mercy.
A sob caught in her throat. The physical pain of the kiss merged with the agonizing cramps in her belly and the shattered remains of her heart. She went limp, her hands falling to her sides, submitting to the punishment because she had no fight left.
He pulled back abruptly, wiping his mouth with the back of his hand. He stared down at her, his chest heaving, his eyes full of disgust.
Diana slid down the wall, unable to stand anymore. She collapsed onto the hardwood floor, her red dress bunching around her, her head bowed.
Curtis looked at her crumpled form. There was no regret in his eyes. There was only cold satisfaction.
"Remember this, Diana," he said, his voice flat and hard. "You are not my partner. You are not my equal. You are a piece of decoration I bought to make the house look good. And decoration doesn't speak unless spoken to."
He stepped over her legs, not caring if his shoe caught the hem of her dress. He walked toward the bedroom, unbuttoning his shirt.
"You're sleeping in the guest room tonight," he threw over his shoulder. "I can't stand the sight of you."
Diana didn't know how long she lay on the floor. It could have been minutes; it could have been hours. The cold from the hardwood seeped into her bones, but she barely felt it. She was numb, hollowed out from the inside.
The sound of Curtis's phone buzzing shattered the silence of the dark apartment.
She heard his footsteps pause in the hallway. He must have been on his way to the kitchen for water. The buzzing continued, insistent and sharp.
Diana heard him pick it up. "What?"
A pause. Then, a transformation so sudden it made Diana sick to her stomach.
"Carla?" His voice changed completely. The hard, angry edge was gone, replaced by a softness, a warmth that sounded like it belonged to a different man. "Sweetheart, it's two in the morning. Why are you still up?"
Diana squeezed her eyes shut. The endearment-sweetheart-hit her like a physical blow. He had just kissed her with brutal force, and now he was speaking to another woman with the tenderness of a lover.
She listened as his tone shifted to panic.
"What? Bleeding? Where are you?" Curtis was already moving, his footsteps quick and urgent. "Which hospital? NYU Langone? Okay, okay. Don't move. I'm coming right now. Just stay still, baby. I'll be there in ten minutes."
Bleeding.
The word echoed in Diana's mind, a cruel, twisted joke. She was lying on the floor, bleeding out the life they had created together, and he had called her a liar. But Carla says she's bleeding, and the world stops.
Curtis rushed into the living room, grabbing his car keys from the bowl by the door. He was pulling on his coat, his face pale with worry.
He walked right past Diana. He didn't even glance down at her crumpled form. It was as if she were a piece of furniture, invisible and insignificant.
Something inside Diana snapped. It wasn't anger; it was a desperate, final plea for acknowledgment. A drowning woman reaching for a hand one last time.
"Curtis," she called out. Her voice was hoarse, barely a whisper, but it stopped him.
His hand was on the doorknob. He turned his head, his brow furrowed in annoyance. "What now, Diana? I don't have time for your games."
Diana lifted her head. Her eyes were dry now, the tears all cried out. She looked at him with a terrifying clarity.
"I'm bleeding too," she said.
The words hung in the air.
Curtis stared at her. For a fraction of a second, his expression flickered-confusion, maybe. But then, his face hardened into a mask of absolute disgust.
He let out a short, bitter laugh. "You are unbelievable."
"Curtis, I-"
"You just couldn't stand it, could you?" he interrupted, his voice rising. "You heard me say she was bleeding, and like a jealous child, you have to copy her. You have to make it about you."
"I'm not copying anyone," she said, her voice trembling. "I lost the baby. I'm miscarrying. Right now."
"Shut up!" he roared, taking a step toward her. "Do you have no shame? Carla is in the hospital, genuinely suffering, and you sit there trying to steal her sympathy with a pathetic lie? You make me sick, Diana."
"It's not a lie," she whispered, but he wasn't listening.
"You're a monster," he said, his voice dripping with venom. "A cold, calculating monster who would use a fake pregnancy loss to get attention. I despise you."
He yanked the door open.
Diana watched him, a strange, hollow feeling spreading through her chest. It wasn't sadness anymore. It was the absolute, crushing weight of reality. He would never believe her. He would never love her. To him, her pain was just an inconvenience, a bad performance compared to Carla's perfection.
She started to laugh. It was a broken, breathless sound, tears streaming down her face as she laughed at the absurdity of it all.
Curtis paused in the doorway, looking back at her with horror. "You're crazy," he spat. "Completely insane."
He slammed the door shut. The sound vibrated through the apartment, final and absolute.
Diana lay there on the floor, the silence ringing in her ears. The cramps were still there, a dull, relentless ache, but they felt distant now. She stared at the ceiling, the shadows dancing in the corners.
She thought of her father, sitting in a prison cell, sacrificing everything so she could have this life. She thought of the baby she had just lost, a tiny spark of hope extinguished before it could even begin. And she thought of Curtis, running into the night for another woman, leaving her alone in the dark.
This wasn't a marriage. It was a prison. And she was done being a captive.
Slowly, agonizingly, Diana pushed herself up off the floor. Her body screamed in protest, but she ignored it. She walked, step by painful step, toward the home office.
She sat down at the desk and turned on the computer. The screen glowed in the dark room, illuminating her pale, resolute face.
She opened her email. She didn't hesitate. She didn't second-guess. She typed in the address of Curtis's chief legal counsel, Garold Nash.
Subject: Divorce Proceedings Initiation - Diana Wilcox.
She typed the brief message, her fingers steady. She hit send.
The whoosh of the email leaving the outbox was the loudest sound in the quiet apartment. It was done.