Sold to the Don: The Pawn Who Became Queen Novel Cover

Sold to the Don: The Pawn Who Became Queen

8 / 10.0
Isabella Moretti is a woman defined by neglect. Ostracized by her father and stepmother, she lived in the shadow of a sister who claimed every dream for herself. Isabella was raised to be invisible and accept blame for sins she never committed. However, her life takes a dark turn when her father accumulates a massive debt to Chicago's most terrifying mafia boss. To settle the score, he offers Isabella as a human payment to the ruthless underworld lord.
Sold to the Don: The Pawn Who Became Queen Summary
Isabella Moretti is a woman defined by neglect. Ostracized by her father and stepmother, she lived in the shadow of a sister who claimed every dream for herself. Isabella was raised to be invisible and accept blame for sins she never committed. However, her life takes a dark turn when her father accumulates a massive debt to Chicago's most terrifying mafia boss. To settle the score, he offers Isabella as a human payment to the ruthless underworld lord.
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Sold to the Don: The Pawn Who Became Queen Chapter 1

Bella's POV

I do not mean to start my morning by threatening a seventy year old man with a spatula, but here we are.

"Sir, you cannot grab the muffins with your bare hands," I say as gently as possible while sliding the tray out of his reach. "Please use the tongs."

He glares at me like I have personally offended his entire family. "My hands are clean."

A woman behind him snorts. "Then why do they look like that?"

I choke on a laugh because if I laugh out loud my boss will write me up again. My boss says customers do not like when staff seem rude. Meanwhile the customer is currently poking the glass like he is inspecting a zoo animal. I swallow hard and smile.

"I will bring you a fresh batch," I say.

"I want this one," he snaps, pointing at a random muffin he already smudged. "And I want it for half off because you made me wait."

Of course he does. I keep smiling because that is what I do. I survive by staying small and quiet. I reach for the muffin with the tongs and hand it to him in a bag.

"That will be two ninety nine."

He mutters under his breath the whole time, something about kids today being soft. I am twenty two but people often assume I am younger. I blame my big eyes and the way my voice cracks when I get nervous.

Once he leaves, Maria, my coworker, leans close. "If he comes back tomorrow, I will personally throw him out. I swear."

"You cannot throw out regular customers," I whisper.

"Watch me."

I smile again, tired but trying to stay grateful. This bakery in Little Italy is noisy, warm, and small. The display cases hum. The espresso machine spits and hisses. The bell over the door rings nonstop. Outside, Chicago traffic rattles the windows. Inside, I smell coffee, warm sugar, and my own panic.

I check the time. I have an hour left in my shift before my second shift starts. I have been working doubles for three months. My feet hurt. My fingers cramp. I feel lightheaded sometimes, but the medical bills keep coming and I keep going.

My stepmother Elena needs daily medication. The chemo made her too weak to get out of bed. The bills stack on our kitchen counter until I want to cry. My dad says he will help. He never helps. He only drinks.

Maria nudges me. "Girl. Your phone is buzzing again."

I pull it out. Three missed calls from Clara. One message: Pick up, Bella. Now.

I text her back: I am at work.

She responds instantly: Then hurry up. Dad is in one of his moods.

Great.

Just great.

I put my phone back and breathe through the tightness in my chest.

Customers line up again, and I push through the rush. I spill only one coffee, which is impressive given how shaky my hands are.

Around seven in the evening, I clock out and step outside. Cars move along the street in a steady flow. Restaurant signs glow. Someone shouts across the street. Chicago feels heavy at night. Cold even when the air is warm. The kind of city where people walk fast because slowing down feels unsafe.

I start toward the bus stop, hugging my thin jacket around me. I should buy a thicker one. I should buy a lot of things. Instead, I keep giving every spare dollar to a woman who can barely look at me without looking disgusted.

It takes two buses and a walk to get home. The Moretti house is small and worn out. A cracked walkway. A porch light that flickers. A front door that sticks. The inside smells like old carpet and cigarette smoke.

As soon as I step in, I know something is off.

My father's voice booms from the living room. He only gets this loud when he gambles or drinks. Mostly both. I round the corner and see him leaning over the coffee table, red faced, sweating, breathing hard. There are papers everywhere. Bills. Notices. A few empty beer bottles.

Clara sits on the couch scrolling her phone like the whole scene is boring.

Elena is upstairs in bed, too sick to walk down the stairs anymore.

Dad looks at me with glassy eyes. "There you are."

"I just got home," I say softly. "Is everything alright?"

He pushes the papers toward me. They scatter. "Do I look alright?"

I crouch to gather them. "Do you need help organizing these?"

"Do not talk to me like I am stupid."

"I did not mean it that way."

"You always mean things," he snaps. "You always act better than everyone."

I freeze. I have never acted better. I barely act anything. I just try to survive.

"Dad, what happened?"

He stands so fast the couch shakes. "You need to fix this."

"Fix what?"

His hand flies before I even finish the sentence.

The slap burns across my cheek. I do not move. I do not cry. I stare at the wall behind him because looking at him feels dangerous.

"You will find out tomorrow," he says. "And you will do what I say. You owe us that much."

I do not think I owe them anything. But saying that out loud would only make things worse, so I keep my mouth shut.

Clara finally looks up from her phone. "Dad, stop scaring her. She will do it." She turns to me with a fake smile. "Right, Bella? You always do what you are told."

My throat tightens. "If it will help Elena, I will do anything."

Dad laughs. "Good girl."

I feel sick.

"Can someone tell me what is happening?" I ask, my voice barely above a whisper.

"Tomorrow," Clara says dismissively, returning to her phone. "Dad will explain everything tomorrow."

"Clara-"

"Go check on Mom," she interrupts. "That is what you are good at, right? Taking care of everyone?"

The words sting more than the slap, but I go anyway.

I head upstairs to check on Elena. The hallway light flickers again-I have been meaning to change the bulb for weeks. I knock on her door.

"Yes?" Her voice is thin and strained. Even then, she manages to sound annoyed.

I step inside. She lies in bed, pale and frail, but her eyes still cut like knives. Even sick, even dying, she looks at me with that familiar mix of resentment and contempt. I don't know why she would look at me like that, but it must be the pain, I think.

"I brought you water," I say, holding out the glass.

She frowns like water offends her. "Clara could have done that."

"Clara was busy."

"She is young," Elena snaps. "She deserves to enjoy her life. You are older. You help. That is how it works."

I am only four years older than Clara. But I have learned not to argue.

I lower my gaze. "Of course."

She sips the water and sets it aside with a shaking hand. Then she looks at me with something that might be satisfaction. "Your father says you will fix his mistake."

My stomach drops. "What mistake did he make?"

She smirks through her weakness. "You will find out tomorrow. But know this, Isabella-it is time you were useful for something."

The same answer. The same threat hidden in the words.

"Go to bed," she says, waving me away like I am a servant. "You look exhausted. And ugly when you are tired."

I step out and close the door. As I walk away, I hear her whisper, "Ungrateful girl."

The words follow me down the hall.

I go into my room, which is barely more than a closet. My bed takes up most of it. My clothes are stacked in piles because my dresser broke last year and no one bothered to help me replace it. There is a water stain on the ceiling that gets bigger every time it rains. The room smells like old paint and sadness.

I sit on the edge of the bed and let the tears come. Just a few. Quiet and fast. Then I wipe them away and breathe.

What did my father do? What mistake could be so bad that I have to fix it?

Hours pass. Midnight creeps closer but I cannot sleep even though I know this will only make me tired at work tomorrow. I stare at the ceiling and wait for morning because whatever tomorrow holds cannot be worse than today.

That is what I tell myself.

I am wrong.

Then I hear it.

A car.

A very large engine. Slows to a stop near the house.

I sit up straight, my heart already beginning to race.

Clara's door opens down the hall. "Bella," she whispers, and for the first time all day, she sounds genuinely frightened. "Someone is outside."

Dad stumbles out of his room, still half-drunk, fumbling with his shirt. "What the hell is that?"

We all freeze when the headlights spill through the thin curtains downstairs.

I move to the top of the stairs. Through the window, I can make out the shape of it-long, dark, gleaming under the streetlight. It looks like it costs more than our house. It's a sleek black car, shiny and expensive. The kind of car that should not stop in a place like this unless something very wrong is about to happen.

We wait a few seconds then a knock shakes the front door. heavy raps on the door, the kind of knock that knows it will be answered.

A man's voice speaks through the wood, calm and cold. "Federico Moretti. Open the door."

Dad goes pale. Actually pale. The color drains from his face so fast I think he might pass out.

I step back.

Clara grips my arm. "Bella. What did you do?"

I shake my head because I have done nothing. I work, I come home, I take care of people who hate me. That is my entire life.

Dad looks at me like I am the problem. Like somehow, this is my fault.

Another knock. Harder this time. The door rattles in its frame.

"Last chance, Federico."

My father's breath comes fast and shallow. Clara grips the banister with white knuckles. My heart pounds so loud I hear it in my ears.

Dad swallows hard and looks at me. His eyes are wild desperate and filled with guilt.

"Isabella," he whispers. "Go downstairs."

My stomach drops to the floor.

"What."

"Go," he hisses. "This is for you. They are here for you."

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Sold to the Don: The Pawn Who Became Queen of Contents

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