Aria Sterling POV
Vitiello Holdings was a fortress of glass and steel that pierced the Manhattan skyline. It was a monument to power, cold and unyielding.
I shouldn't be here. I should be at Best Buy, purchasing a new laptop and trying to salvage my hard drive. But I wasn't.
Two hours after the incident at the bistro, a black SUV had pulled up to my crumbling apartment building. A man in a suit-one of the guards from the restaurant-had handed me an envelope. Inside was a check for the damage, and a summons.
"Mr. Vitiello wishes to discuss the incident," the guard had said. It was not a request.
Now, I stood in an office that was larger than my entire apartment floor. The walls were lined with books, floor to ceiling. The view behind the massive mahogany desk showed the city sprawling out like a conquered kingdom.
Dante Vitiello sat behind the desk. He was reading a file. My file.
"Aria Sterling," he said without looking up. "Age twenty-four. Ghostwriter for low-end romance novels. Investigative journalism degree, unused. Bank account balance..."
He paused, his eyes scanning the page before lifting to meet mine.
"...negligible."
He closed the folder with a soft thud and looked at me. The boredom was gone from his eyes, replaced by a predatory focus.
"You investigated me," I said. It was a statement, not a question.
"I investigate everyone who makes a scene in my presence," he replied. "It is a matter of survival."
"Why am I here?" I asked, keeping my voice steady. "I took the money. We are even."
"Are we?"
He stood up. He moved with a lethal grace, like a panther circling prey. "You refused my money initially. You demanded an apology. That implies you have principles. Or perhaps just a lack of self-preservation."
"Both, maybe," I whispered.
"I have a problem, Aria," he said. He leaned against the edge of his desk, crossing his arms over his chest. "The federal government is auditing my family's legitimate businesses. They are looking for cracks in the foundation. They want to paint us as monsters."
"Aren't you?" The words slipped out before I could stop them.
His lips quirked up in a humorless smile. "We are necessary monsters. But for the sake of the audit, and a merger I am orchestrating, I need to appear... human. I need a biography. A memoir. Something that frames the Vitiello legacy as a story of immigrant success and community service, rather than violence."
"You want me to lie for you," I said.
"I want you to write a story," he corrected. "You are a writer, are you not? A desperate one, if my sources are correct."
He picked up a piece of paper from his desk and slid it across the polished wood.
It was a contract. The number at the bottom made my breath hitch. It was enough money to pay my rent for five years. It was enough to get my mother into a better care facility.
"I can't," I said, backing away. "I write fiction. I don't write propaganda for criminals."
He moved faster than I thought possible. In a blink, he was in front of me, blocking my path to the door. He didn't touch me, but his presence was suffocating.
"You saw blood on my cuff yesterday, didn't you?" he asked softly.
I swallowed hard. "Yes."
"Then you are already a witness, Aria. You are already involved."
He reached out and tucked a loose strand of hair behind my ear. His fingers were rough, calloused. The touch burned.
"Take the job," he said. "Write the book. Live in my house where I can ensure you don't talk to the wrong people about what you saw on my sleeve. Or walk out that door and wonder every time a car slows down behind you if it is your last moment on earth."
It wasn't a choice. It was a cage disguised as an opportunity.
I looked into his dark eyes and saw my reflection trapped there.
"I need an advance," I said.
Dante Vitiello smiled, and it was the most terrifying thing I had ever seen.
"Done."
Aria Sterling POV
The sudden flare of camera flashes blinded me.
I threw my hand up to shield my eyes as I stepped out of the black town car and onto the pavement in front of Vitiello Tower.
"Who is she?" a voice shouted from the scrum of photographers.
"Is that the new mistress?"
Dante's hand claimed the small of my back, guiding me through the chaos. His grip was firm, possessive, branding me through the fabric of my coat. He didn't push the photographers away. He let them see. He let them snap the pictures of his hand on me, of my flushed face, and of the way he loomed over me like a dark guardian.
We made it into the lobby, the heavy glass doors sealing out the noise of the street.
"Why were they there?" I asked, my heart racing.
"Because I told them to be," Dante said calmly. He walked toward the private elevator, expecting me to follow.
"You tipped them off?" I hurried to keep up with his long strides. "You want people to think... that?"
I halted in the middle of the lobby. The marble floors were cold beneath my boots, seeping through the soles.
"They were calling me your mistress, Dante."
He stopped and turned. The employees in the lobby averted their eyes, terrified to witness a private conversation between the boss and the girl from the tabloids.
"Let them talk," he said. "It is better than the truth."
"And what is the truth?" I challenged. "That I am your prisoner who types?"
"That you are under my protection," he said. His voice dropped an octave, vibrating in the quiet space. "In my world, Aria, perception is reality. If they think you are mine in a romantic sense, the other families will hesitate to touch you. It would be an act of war to harm a Don's woman. If they know you are just a writer who knows too much... you are a loose end."
I felt a chill settle in my stomach. He had put a target on my back and then painted a shield over it, but the shield was made of his reputation for violence.
"I am not yours," I whispered.
He stepped into the elevator and held the door open. His eyes locked onto mine.
"For the next three months, until that book is finished, you belong to the Vitiello name. You breathe because I allow it. You eat because I feed you."
I stepped into the elevator. The doors slid shut, sealing us in a small, metal box.
We stood in silence as the numbers climbed.
"One more thing," he said, staring straight ahead at the steel doors. "My secretary, Elena. She will be cold to you. Ignore it."
"Why?"
"Because she knows the rules," he said. "And you are breaking every single one of them just by standing here."
The elevator dinged at the penthouse. The doors opened to reveal a sprawling living space that looked more like a museum than a home.
"Welcome to your cage, little bird," he murmured.
I stepped out, and for the first time, I realized that the danger wasn't just the men with guns outside. The danger was the man standing next to me, and the way my heart skipped a beat when he called me his.
Aria Sterling POV
The safe house was a sprawling estate on Long Island, fortified by high walls and a dense, choking forest.
It was quiet here. Suffocatingly quiet.
It had been two weeks. Two weeks of living in Dante's shadow. Two weeks of trying to sanitize a history of blood into a palatable narrative for the federal government.
It was late, past midnight. I was in the library, the blue light of my new laptop screen illuminating the darkness as I tried to find a synonym for "hostile takeover" that didn't sound exactly like "armed robbery."
The heavy oak door creaked opened.
Dante walked in.
He looked wrecked. He had been gone for two days on "business." His suit jacket was gone. His white dress shirt was unbuttoned at the top, the sleeves rolled up haphazardly.
And then I saw the blood. Again. But this time, the dark crimson didn't look like it belonged to someone else.
"You're bleeding," I said, standing up so fast my chair scraped against the floor.
He looked down at his side. A dark stain was blooming across the white fabric of his shirt.
"It's nothing," he said, his voice rough. "A graze."
"Sit down," I ordered. The fear I usually felt around him was replaced by a sudden, irrational panic. "You need a first aid kit."
"I have handled worse," he muttered, but he sank onto the leather sofa with a heavy exhale.
I ran to the bathroom down the hall and grabbed the kit I had seen earlier. When I came back, he had unbuttoned his shirt completely.
I froze in the doorway.
His torso was a living map of violence. There were scars crisscrossing every inch of muscle. Knife wounds. The puckered craters of bullet holes. Burn marks. It was a history book written on skin, brutal and far more honest than the lies I was typing.
He looked up and saw me staring.
"Ugly, isn't it?" he said. His voice was devoid of self-pity. It was just a statement of fact.
"No," I whispered.
I walked over and knelt beside him.
I cleaned the wound on his ribs. It was a shallow cut, but it bled freely. My hands shook as I pressed the gauze against his skin. His skin was scorching hot. He flinched slightly, his muscles contracting hard under my touch.
"Who did this?" I asked.
"People who want what I have," he said. He watched my hands, his dark eyes tracing my movements. His gaze was intense, heavy.
"Why do you do it?" I asked, daring to meet his eyes. "You have enough money. You could leave. You could just be... a businessman."
He laughed, a dark, rough sound that vibrated through his chest.
"You cannot leave the Family, Aria. You leave in a coffin. That is the only exit clause."
He reached out and caught my wrist. His grip was gentle this time, a stark contrast to the violence etched on his body.
"You have ink on your cheek," he said.
I tried to pull away, but he held on. He used his thumb to rub the spot on my cheekbone. The friction sent a jolt of electricity straight to my core.
"You are too clean for this place," he said quietly. "You smell like vanilla and old paper. And I smell like gunpowder and ash."
"Then let me go," I whispered.
He shook his head slowly. His eyes dropped to my lips.
"I can't," he said. "Not anymore."
He let go of my wrist and leaned back, closing his eyes.
"Finish the chapter, Aria. Then go to sleep. Lock your door."
I stood up, my legs trembling. I walked back to the desk, but I couldn't type. I could still feel the heat of his skin on my fingertips. I could still see the vulnerability in the monster's eyes.
He wasn't keeping me here just to write a memoir. And I wasn't staying solely because of the contract.
We were both bleeding, just in very different ways.